{"id":10226,"date":"2019-06-16T18:04:35","date_gmt":"2019-06-16T16:04:35","guid":{"rendered":"https:\/\/www.revuegruppen.com\/gruppen\/?p=10226"},"modified":"2019-09-30T01:18:48","modified_gmt":"2019-09-29T23:18:48","slug":"28-juin-2019","status":"publish","type":"post","link":"https:\/\/www.revuegruppen.com\/gruppen\/28-juin-2019\/","title":{"rendered":"28 juin 2019"},"content":{"rendered":"<p><strong>SOIR\u00c9E CONCERT<\/strong><\/p>\n<p>\u2904<br \/>\n\u2904\u2904 19h<br \/>\n\u2904\u2904\u2904<\/p>\n<p><strong>Almost &amp; La Partition Anim\u00e9e<\/strong> (jazz exp\u00e9rimental)<\/p>\n<p><em>Almost<\/em> est un projet jazz \/ exp\u00e9rimental en trio piano-basse-batterie, alternant s\u00e9quences \u00e9crites et improvis\u00e9es, acoustique ou \u00e9lectronique. Les th\u00e8mes musicaux sont inspir\u00e9s des divers courants de la musique \u00e9lectronique et du hip-hop. Ces \u00e9l\u00e9ments disparates sont rendus coh\u00e9rents par une m\u00eame \u00e9criture.<\/p>\n<p>Pour le live le groupe substitue parfois \u00e0 la partition musicale celle de la <em>Partition Anim\u00e9e<\/em> cr\u00e9\u00e9e par Gustavo Almenara et Romain Blanc-Tailleur. Les deux animateurs improvisent en live avec les musiciens en projetant un langage graphique en mouvement.<\/p>\n<div>L\u2019album, qui n\u2019est pas encore publi\u00e9, est accessible \u00e0 ce lien priv\u00e9 :<\/div>\n<div><a href=\"https:\/\/soundcloud.com\/user-415403079\/sets\/coming-on-the-hudson\/s-9mm1Z\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/soundcloud.com\/user-415403079\/sets\/coming-on-the-hudson\/s-9mm1Z&amp;source=gmail&amp;ust=1561113743434000&amp;usg=AFQjCNFRWV0XoHJ5E7_xhVGOZrlg2JATsw\">https:\/\/soundcloud.com\/user-<wbr \/>415403079\/sets\/coming-on-the-<wbr \/>hudson\/s-9mm1Z<\/a><\/div>\n<div>La version concert ajoutera les dimensions improvis\u00e9es et \u00e9lectroniques \u00e0 l\u2019album + des morceaux in\u00e9dits.<\/div>\n<p><strong><em>Almost<\/em><\/strong> : \u00ab\u00a0Max\u00a0\u00bb Kaddouch (composition, piano et \u00e9lectronique), Gilles Coquard (basse \u00e9lectrique), Gerald Porto-Callis (batterie).<\/p>\n<p><strong><em>Partition anim\u00e9e<\/em><\/strong> : Gustavo Almenara et Romain Blanc-Tailleur<\/p>\n<p><strong>&gt;&gt;&gt;&gt; infos + acc\u00e8s<\/strong><\/p>\n<p>Prix libre<\/p>\n<p>ACC\u00c8S<br \/>\nLe 6b \/\/ Salle Resto au RdC (entr\u00e9e par le porche)<br \/>\n6-10, Quai de Seine<br \/>\n93200 Saint-Denis<\/p>\n<p>\u24c2 rer d \/ ligne h \u219d gare de saint-denis<br \/>\n\u24c2 ligne 13 \u219d porte de paris \/ basilique saint-denis<br \/>\n\u24c9 tram 1 \/ tram 8 \u219d gare de saint-denis<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOIR\u00c9E CONCERT \u2904 \u2904\u2904 19h \u2904\u2904\u2904 Almost &amp; La Partition Anim\u00e9e (jazz exp\u00e9rimental) Almost est un projet jazz \/ exp\u00e9rimental en trio piano-basse-batterie, alternant s\u00e9quences \u00e9crites et improvis\u00e9es, acoustique ou \u00e9lectronique. Les th\u00e8mes musicaux sont inspir\u00e9s des divers courants de la musique \u00e9lectronique et du hip-hop. Ces \u00e9l\u00e9ments disparates sont rendus coh\u00e9rents par une m\u00eame [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10227,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[309],"tags":[894,898,897,896,900,72,895,899,901],"class_list":["post-10226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda","tag-6b","tag-almost","tag-gerald-porto-callis","tag-gilles-coquard","tag-gustavo-almenara","tag-jazz","tag-max-kaddouch","tag-partition-animee","tag-romain-blanc-tailleur"],"_links":{"self":[{"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/posts\/10226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/comments?post=10226"}],"version-history":[{"count":4,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/posts\/10226\/revisions"}],"predecessor-version":[{"id":10246,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/posts\/10226\/revisions\/10246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/media\/10227"}],"wp:attachment":[{"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/media?parent=10226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/categories?post=10226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuegruppen.com\/gruppen\/wp-json\/wp\/v2\/tags?post=10226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}